Saturday 25 May 2013

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Long Jean Skirts Biography

Source (Google.com.pk)
Her mother was a filmcutter at RKO Studios who, widowed and mentally ill, abandoned her to sequence of foster homes. She was almost smothered to death at two, nearly raped at six. At nine, the LA Orphans' Home paid her a nickel a month for kitchen work while taking back a penny every Sunday for church. At sixteen, she worked in an aircraft plant and married a man she called Daddy; he went into the military, she modeled, they divorced in 1946. She owned 200 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang two numbers. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950), resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar. When she went to a supper honoring her in the The Seven Year Itch (1955), she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, CA). After The Seven Year Itch (1955), she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller. True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier, fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So did an affair with Yves Montand. Work on her last picture The Misfits (1961), written for her by departing husband Miller was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency. August 4, 1962 Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn Monroe's physician, came over the following day and quoted later in a document "felt it was possible that Marilyn Monroe had felt rejected by some of the people she had been close to". Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him while he was to tell him that her second husband's son had called him. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the dark and depressing evening for Marilyn wore on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The corner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide'.

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Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Long Jean Skirts For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos

Thursday 23 May 2013

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Flare Jeans Biography

Source (Google.com.pk)

True Religion was founded in 2002 by industry veteran Jeffrey Lubell. The founder, chairman and chief executive officer built the brand based on the principles of quality, American-made authentic denim with timeless appeal and a vintage aesthetic. The brand offers a wide range of styles in nearly every category and embraces the motto: "It’s all about the fit." True Religion clothing is made for and by people who don't follow trends, they set them.
The story of how True Religion came to be is a uniquely American tale. As a teenager growing up in New York, Lubell would bleach bell-bottoms and embellish his favorite pairs of jeans with leather and denim patches when they became ripped and worn. He also drew album covers on jackets and added hand-embroidered finishes. "This is where my denim journey began," he says.
Lubell bet everything on his vision as a designer and entrepreneur. This marked a new era for the innovator, who started True Religion at the sewing machine. He established trendsetting elements such as thicker threads in a multitude of colors, lock seams and customization of oversized hardware in a variety of novelty styles for both men and women. As for the name? "There's only one real religion and that's people," says Lubell. "And all the people in the world wear jeans. Our emphasis is on fit, quality and style and the inspiration to make men and women look and feel good in their jeans."
Lubell's faith in his new company was tested early on. He determinedly won over a skeptical buyer to have his first order placed at an L.A.-based specialty store. He also gifted pairs to the sales staff, knowing that his now signature creations looked better on a body than on a shelf. The remaining pairs sold out within two days, and True Religion had found its believers.
Having launched with denim offerings for both men and women, it was the undeniable great fit, style and comfort that eventually won over the population. The jeans were unique and allowed enthusiasts to express their individuality. The "Joey" jean became (and still is) the cult favorite across both categories with its twisted asymmetrical seams, colorful reinforced stitching and oversized low flap pockets. It was an instant favorite for everyone from fashionable stay-at-home moms to uber-celebrities such as Angelina Jolie, Jessica Simpson, Megan Fox, Kate Hudson and Jennifer Lopez as well as a myriad of stylish male stars.
The company went global from its inception, selling at the best specialty stores in Asia and expanding into Europe. Following the success in the men and women's divisions, the brand expanded to include well-made, stylish jeans for children and toddlers and then followed suit with knit, woven and denim-related sportswear. Since then True Religion has continued to lead the premium denim market with global expansion that has enabled it to be the over $400 million company it is today.
What once began as a determined man with a dream (and a van full of jeans) has now evolved into a full lifestyle brand with a range of denim offerings for men, women and children, plus knit and woven sportswear, accessories and fragrance. "True Religion is my dream, my passion and my love affair with denim," explains Lubell. "You can't be everything to everyone, and so I focused on what I was best at: making quality, American-made denim."
True Religion is currently sold at 125 standalone stores worldwide and is distributed to 50 countries on six continents. The company went public in 2003 and is listed on the NASDAQ.

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Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Flare Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos

Lee Rider Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos

Lee Rider Jeans Biography

Source (Google.com.pk)
Lee is one of the world’s oldest and largest denim manufacturers with origins dating back to 1889. Like many contemporary companies, H.D. Lee Mercantile Company is named after its founder, the enterprising and ambitious Henry David Lee. Today most people know the company’s jeans, which among other things are characterized by its characteristic “lazy S” arcuate and branded patch. But before these features became parts of a global brand the company mainly manufactured and sold foods, including coffee, tea, cereal and canned food.
Some years before denim was included in Lee’s product portfolio, the company suffered from a devastating fire that destroyed goods and equipment worth a total of nearly half a million dollars – in 1903-currency. Yet Lee did not roll over, but instead the company used the accident to expand and strengthen it’s business.
The building stones for one of the world’s most recognized and innovative denim brands were first laid in 1911 when HD Lee, reportedly more than dissatisfied with the quality of work wear of the east-American manufacturers, decided to start his own production. Already two years later, in 1913, the company wrote denim history, when Lee’s personal chauffeur in frustration over constantly getting dirty when fixing the car invented the so-called Union-All, which could quickly could be pulled over regular work wear and clothes. The popularity of the invention was immediate, but it was also helped along by the First World War, when Union-alls in 1917 became the official uniform of the American doughboys.
Below is a selection of classic Lee commercials from the early 20th century, all of which highlight the benefits and convenience of the Union-All, and other Lee products. It is clearly exemplified how marketing back then mainly focused on the functional benefits of the product. But during the 50s and 60s, ads more increasingly began to appeal to consumers’ social and self-promoting needs, and the brand became more important than the product itself and it’s functionality.
Before Lee jeans became a fashion object, the company focused heavily on innovation and improvement of the quality of denim and the functional design of the jeans. Besides the invention of the Union-All, Lee was among the first to put zippers in jeans in 1926, and five years later they introduced the first tight-fitting denim jacket, Lee 101j (have a look at one by clicking the link). In 1933, Lee presented one of its most iconic pieces, the Storm Rider jacket, which is basically a padded 101j. In 1944, the recognizable lazy-S arcuate became part of Lee’s identity. Until then Lee (as any other denim American manufacturer) used back pocket stitching designs identical to the famous Levi’s arcuate.
Note the name “Cowboy Pants” – maybe is where the Danish “cowboybukser” comes from(?).
Lee reacted quickly to the conversion of denim from working to fashion pants in the 1950s. Helped along by Hollywood, jeans became a must-have for any teenager. One of the truly great iconic figures was the actor and racing driver James Dean (view more pictures of Dean by clicking the link). The picture below was taken in connection with the shooting of his greatest cinematic success, Rebel Without A Cause from 1955, in which Dean personifies an entire generation’s rebellion – of course wearing Lee jeans.
Dean holds the famous pose in one of the film’s opening scenes. Denim enthusiasts to this very day discuss whether Dean personally preferred Lee jeans – a discussion that will probably never come to a conclusive answer. It is nevertheless a fact that he was – and still is – a big driver for the popularity of jeans among teenagers around the world.
The Japanese division of Lee used the picture in an ad for the company.
The pictures below are from his third and final film, Giant, which first premiered after his death. Dean was even the first to received an Oscar posthumously. Also in Giant he wears denim.
Marilyn Monroe was another vehicle in bringing Lee denim to the hips of the youth. In John Huston film “The Misfits” from 1961, she appears wearing a Lee Storm Rider jacket starring with Montgomery Clift, who wore Lee Riders.
Already in 1952 Monroe wore denim on the big screen. In “Clash By Night” is probably JC Penneys “Prefer Most” model (thanks to Simon Tuntelder for helping out here).

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Lee Rider Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
Lee Rider Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
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Lee Rider Jeans For Men For Women Texture Jacket For Girls Pant and Heels Shirt Brands Photos
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Good Jeans Biography

Source (Google.com.pk)
James Jeans' father was William Tullock Jeans. William Jeans was a parliamentary journalist of Scottish descent who wrote two books on the lives of scientists. The name Hopgood was James mother's maiden name; she came from the north of England. It was a very religious Christian family with James the eldest of the three children and the only boy. James' family moved to Brighton when he was eighteen months old then, when he was three years old, they moved to London.
Jeans was educated in Merchant Taylor's School in London which he entered in 1890. The first topic which interested him was classics but soon his interests turned towards mathematics. An excellent mathematics teacher at the school encouraged Jeans' interest in the subject but from the time he was a young child he had shown a fascination with numbers. Several stories about his remarkable abilities as a child indicate both an interest and curiosity about numbers and an outstanding memory. Milne relates in [5] that:-
His interest in numbers was early and deep-seated: he not only factorised cab-numbers, but retained in his memory the numbers that he encountered ... At the age of seven he found his father's book of logarithms, tried to discover what they were for but failed, and learnt the first twenty or so seven-figure logs by heart, and remembered them until near the end of his life.
Jeans went to Trinity College Cambridge in October 1896 having won a mathematical scholarship. There he was a fellow student with G H Hardy who was in the same year. He was taught as an undergraduate at Cambridge by J W L Glaisher, W W Rouse Ball, A N Whitehead, R A Herman and E T Whittaker. He was Second Wrangler in the Mathematical Tripos examinations of 1898 (ranked seconf in the list of First Class students) and was awarded a First Class degree in the Mathematical Tripos of 1900. Although he would not return again to pure mathematics, Jeans wrote a paper on the theory of numbers while an undergraduate. Both Jeans and Hardy were awarded a Smith's prize with 'unspecified relative merit'. Jeans was awarded an Isaac Newton Studentship in astronomy and optics, then in 1901 he was elected a Fellow of Trinity.
Already while he was still an undergraduate Jeans had gained experience in experimental physics having worked in the Cavendish Laboratory during the academic year 1899-1900. He was very active in research publishing work on a variety of topics in applied mathematics, physics and astronomy from 1901 onwards. In particular he published on the specific heats of gases and the mechanism of radiation. However this was achieved despite health problems. He suffered from tuberculosis during 1902 and 1903 and he had to go to a sanatorium to recover. He spent some time at a sanatorium in Ringwood, Lyndhurst, then later at a sanatorium in Mundesley.
During this period of forced rest due to the tuberculosis, Jeans worked on his first major text The dynamical theory of gases. It was a book which incorporated much of Jeans own researches. Milne writes that the work includes [5]:-
... the theory of the equipartition of energy and Maxwell's law, and the chapters in which he ... treats the statistical mechanics of a gas ... sweep the reader off his feet by their charm of expression, boldness of exposition, and power of generality.
Milne writes that studying this work when he was a student was one of his:-
... most vivid and pleasurable mathematical experiences.
He goes on to show what an impact the work had on him as the start of his career:-
It is all a joyous adventure. Pure mathematicians will know what I mean when I describe the effect of the impact of Jeans' statistical mechanics on a young man's mind as comparable with the impact of a first introduction to the theory of functions of a complex variable. One is astounded that such a rich harvest of results arises from so thin a sowing of assumptions and definitions.
The dynamical theory of gases is far more than an account of Jeans' own research. It is a scholarly account of the whole area including a description of the physical properties of gases. Viscosity and conduction of heat are other topics which he included. The book benefits from Jeans' expertise in several areas: his physical intuition, his mathematical skills, and not least his ability to write with extraordinary clarity.
In 1905 Jeans published a paper in the Philosophical Magazine which showed the impossibility of the ether reaching thermal equilibrium with matter. Of course Planck had announced in 1900 his formula, now known as Planck's radiation formula, on black-body radiation but Jeans was strongly opposed to Planck's results, see for example [4]. Of course Jeans' paper can be seen as a mathematical "proof" that classical physics does not suffice, but it is interesting to note that his pre-quantum ideas concerning the very long time required for systems to come into equilibrium and the observed breakdown of equipartition in specific heat measurements on molecular gases have been used again in relatively recent times more than 80 years after Jeans introduced them. We should also note that Jeans' paper was written after the Michelson-Morley experiment disproved the existence of the ether, and in the same year that Einstein published the special theory of relativity.
Jeans was appointed a Lecturer in Mathematics at Cambridge in 1904, then he lectured at Princeton from 1905 until 1909 where he was Professor of Applied Mathematics. During this period he published his second major text Theoretical Mechanics (1906) and then, in 1907, he was elected a Fellow of the Royal Society.
In 1907 Jeans married an American, Charlotte Tiffany Mitchell, who became a poet of some note. He published The Mathematical Theory of Electricity and Magnetism in 1908 while still in the United States. In 1909 Jeans returned to England and the following year he was appointed Stokes Lecturer in Applied Mathematics at Cambridge. He only held this post until 1912 when he retired to Guildford to devote himself completely to mathematical research and writing books.
Certainly Jeans continued to produce a remarkable output, and he wrote an excellent report on Radiation and Quantum Theory for the Physical Society in 1914. In this work he showed that he had come to accept Planck's formula on black-body radiation which he had rejected in 1905. Although World War I prevented Jeans' report from being widely read in Britain until after 1918, it then had a major impact on having quantum theory and the Bohr theory of the atom accepted by the British scientific community.
In 1917 Jeans won the Adams Prize from the University of Cambridge for his essay entitled Problems of cosmogony and stellar dynamics. This was published as a book in 1919. The high work-load was taking its toll, however, and in 1917 Jeans began to show his first signs of heart problems. In 1918 Jeans and his family moved to Dorking, Surrey, where they occupied a fine house Cleveland Lodge. He was a great lover of music and in his home he had an organ built which he often played for three or four hours a day. Despite considerable talents, he never played in public, not even playing for his friends.
There was a long running scientific argument between Jeans and Eddington over the mechanism by which energy was created in stars. Jeans favoured, incorrectly as it turned out, the theory that the energy was the result of contraction while Eddington, correctly of course, believed it resulted from a slow process of annihilation of matter.
Jeans' work in fluids led him to believe that Laplace's nebular hypothesis for the creation of the solar system was incorrect. He had studied compressible fluids in his Adams Prize essay. Examining the stability of a rotating mass of fluid he concluded that the result of George Darwin which showed that a pear shape of fluid was stable, was wrong. Taking the calculations to a higher degree of accuracy he showed that the shape was in fact unstable. He deduced from these results a mechanism whereby the rotating mass can split into two, giving a model for double star formation.

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Wednesday 22 May 2013

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Wide Leg Jeans Biography

Source (Google.com.pk)
Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Newman was born in 1925 in Cleveland, Ohio, the son of a successful sporting goods store owner. He acted in grade school and high school plays and after being discharged from the navy in 1946 enrolled at Kenyon College. After graduation he spent a year at the Yale Drama School and then headed to New York, where he attended the famed New York Actors Studio. Classically handsome and with a super abundance of sex appeal, television parts came easily and, after his first Broadway appearance in "Picnic" (1953), he was offered a movie contract by Warner Brothers. His first film, The Silver Chalice (1954) was nearly his last. He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He fared much better in his next effort, Somebody Up There Likes Me (1956), in which he portrayed boxer Rocky Graziano and drew raves from the critics for his brilliant performance. He went on to become one of the top box office draws of the 1960s, starring in such superior films as The Hustler (1961), The Prize (1963), Hud (1963), Cool Hand Luke (1967) and Butch Cassidy and the Sundance Kid (1969). He also produced and directed many quality films, including Rachel, Rachel (1968) in which he directed wife Joanne Woodward and which received an Oscar nomination for best picture. Nominated nine times for a best actor Oscar, he finally took one home for his performance as an aging pool shark in The Color of Money (1986), a sequel to his classic, The Hustler (1961). Though well into his 70s as the century drew to a close, Newman still commanded lead roles in films such as Message in a Bottle (1999). He lives with his wife in Westport, Connecticut. A caring and supremely generous man, he is the founder of "Newman's Own" a successful line of food products that has earned in excess of $100 million, every penny of which the philanthropic movie icon has donated to charity. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies.
Clark Gable's mother died when he was seven months old. At 16 he quit high school, went to work in an Akron (Ohio) tire factory and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. In 1924 he reached Hollywood with the help of Portland, Oregon, theatre manager Josephine Dillon, who coached and later married him (she was 17 years his senior). After playing a few bit parts he returned to the stage, becoming lifelong friends with Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star. At one point he refused an assignment and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Oscar. He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939). When his third wife Carole Lombard died in a plane crash returning from a War Bond drive, a grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He announced during filming of The Misfits (1961) that, for the first time, he was to become a father. Two months later he died of a heart attack. He was laid to rest beside Carole Lombard at Forest Lawn Cemetery.

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